These stems are provided to you for free by the artists. Create your own unique version, remix, or sing directly over the instrumental stem. Make a video and upload to YouTube with the following info: Title: Music Can Change the World (remix or cover) - Margaret Maria, Tréson and (insert your name or groups name) BPM 126 Key: F major These are

These stems are provided to you for free by the artists. Create your own unique version, remix, or sing directly over the instrumental stem. Make a video and upload to YouTube with the following info: Title: Music Can Change the World (remix or cover) - Margaret Maria, Tréson and (insert your name or groups name) BPM 126 Key: F major These are full length stems.

The drums are played in live by Mark Kelso, www.groovydrums.com

Terms: The artists give permission for you to use these stems or parts thereof for any free public usage (Soundcloud, YouTube, personal website, Facebook etc.) and to use the sheet music to create your new version of the song. Otherwise, any commercial uses (streaming, or where royalties or publishing is involved) need permission from the artists. Please contact us if you want to release the song commercially and we will be happy to discuss the terms. Our intent is to have many artists cover and release the song, so do not hesitate to contact us. We are also interested in collaborations with other artists. You can reach us from the contact page at www.margaretmariamusic.com

The Goddess of Edges is created on the wings of courage. Courage to be who she needs to be, courage to look deep within and see who she is and be radically honest with herself. She has the courage to give everything, knows she can create something out of nothing, is courageous in making choices but also choosing to leave when the environment

The Goddess of Edges is created on the wings of courage. Courage to be who she needs to be, courage to look deep within and see who she is and be radically honest with herself. She has the courage to give everything, knows she can create something out of nothing, is courageous in making choices but also choosing to leave when the environment becomes toxic and harmful. Choosing to be achingly alone to create, with the courage to follow her path against all odds.

‘She doesn’t understand the real world, not in the way others can live in it. Its pacing, its timing, how things unfold, they feel foreign to her. She sees it all but it doesn’t make sense. Only living through music, seeing the world through music does the world take on a sheen, a colour, where energy and waves move her, where melodies and emotions ebb and flow from within her. She lives between things. Her experience of the individual and connective energies of the world is heard through the musical emotions that she is constantly sensing and expressing. To live between things is like living in a paradox; a liminally intoxicating untethered state. This is the fate of The Goddess of Edges. She and I are one.’ - Margaret Maria